Maurizio Pisati
seven studies
10th february 2010 h . 21:15
Milan
and
February 13th 2010 h. 21:15
Monza,
Theatre of Court
performed by
• Maurizio Pisano seven studies
"Beyond the amount of" new "sounds and articulations to the guitar, I Seven Studies are a new guitar, an idea of \u200b\u200bthe instrument sounds attentive to his affairs, including internal .
When the traditional sound appears, is imposed on "other" on a different level of perception: the size of the physical-acoustic guitar is not explored in volume but in quality of sound elements, combined and made readable by the differences.
The use of any amplification will therefore be understood in this direction, accommodate differences and not uniformity.
Some sounds and articulations are recurrent in seven studies, where the primary is the formal thought of the whole and every part. Of course everyone is stressed in a technical or a joint, but his study will not end in a single song: a pop in a different guise in another.
know the risk of repetition, but I think I avoided an almost prismatic, that is for Interpreter highlight, starting first with a different attitude towards learning.
The first complete performance of the Seven studies took place July 29, 1990 in Darmstadt at the hands of Elena Casoli as a guest invited to the XXXV edition of Ferienkurse für Neue Musik, and she has always been dedicated to this music. " mp
• Scarlatti-Pisano-FOUR SONATAS
The transcription work for me is part of the composition and call it" translation. "Transferring notes from a instrument to another but is not transcribed, in fact, taken away.
The translation is, in addition, a step of thought and compositional processes in the direction that the work suggests. Quasi una fantasia in philological imaginary composer's shoes ("I" old), which leads me to follow a path "in the manner of" but directly "in mind".
A Parallel thinking that takes the original as a guide, taking advantage of new staff to, in fact, trans-thinking.
The work began with the Sonata at the instigation of the director Francesco Leprino on his film "A bold game." The passion for invention then took over, bringing the personal project of bringing together about fifteen sonatas that little by little I am translating for the guitar. The guitar is the same seven studies, a world of everything is outside and inside the sound box, which, in fact, this is Scarlatti place. mp
0 comments:
Post a Comment