Western Chikan Boops Groping

RÖDVINTERSVIT guitars in Sweden and Spain

RÖDVINTERSVIT by Maurizio Pisati

Gävle, february 24th, première at IDKA , Institute of Digital Arts
Madrid, march 23rd
Skinnskatteberg, April 9th \u200b\u200b
Block Floats Katarina Widell
Archlute Patrik Karlsson
Music and audio-video Maurizio Pisati
Video shooting in collaboration with AAEmpedocle, HernànP, Öberg

RödVintersvit is a suite of duo and solo parts of Recorders and Arciliuto, which are the backbone of the previous RödKonsert for Ensemble.
suite refers to any formal course in three movements RödKonsert and even- not include all audio-video-clip is a great tune, brings his poetic idea. Here is some of the words accompanying the sheet RödKonsert , which are worth presenting here:

• RödKonsert - concert (g) Red Recorders, Arciliuto, audio and video, with many ensembles istromenti - is a vision and a write. Pure form and sound of red, Vivaldi, and yet of light. The element that joins handwriting, murals, signs, red marks on stone, is mostly water. It feeds the writing, after which all signs disappear, right into the water, brought by the speed of travel time and the indifference towards all speeds.

• The parties to the video, while nell'astrattezza images are narrative in their own way: real stories of flying and floating in red, shades, burners, written reflections.
In the last sequences instead, setting and references Vivaldi are more historical, geographical feature, but the narrative disappears and with it the man in red wig: he constantly escapes through the narrow streets and ends floating on the water-maybe a red-Ophelie tireless as writing.
• There is the constant shadow of the Concerto in C minor for Flute and Strings by Antonio Vivaldi rv441 processed electronically now with irony now with time shifts adventurous.
interpreters are immersed in this fantastic journey and continually invent their presence: unlike perderebbero la strada, per trovarsi soli e senza tempo in una calle sconosciuta.   mp

RödVintersvit is a suite of the soloistic and duo parts for Blockflöten and Archlute, that are the heart of the previous three movements RödKonsert for Ensemble.

The suite flows in one single movement, it touches the entire formal sequence of RödKonsert as well as its poetic idea, even if it does not include the whole original audiovideo parts. Some of the words I know I used to present RödKonsert fits very well to this suite too:
• RödKonsert - concert (g) red for Recorders, Arciliuto, audio and video, with many ensembles istromenti - is a vision. Writings, pure forms and sounds of "the" red, of Vivaldi, and ounce of light again.
Water in RödKonsert , unifies such different writings combined in a totally free attitude: handwritings, wall writings, urban signals, red signs on a stone.
Water is the basic element of writings, and each sign disappears in it, transported by the journey speed as well as by the priority of time on every kind of speed.

• Videoclips are here revealing a clear attitude for narration, stories of flying and fluctuating “reds”, fires, drafts, fadings, reflections. On the countrary, the last frames have clear environment and hystorical references but the core of this clip is no more narrative: it mostly shows a disappearing attitude. Untiring as a writing everything is escaping on the next “calle” (the venetian streets), until the man in red wig disappears, maybe floating on the water, as a red Ophelie. 

• In the audiotrack and some solo parts we constantly have the shadow of the Cminor concert for Recorder and Strings rv441 by Antonio Vivaldi, that is here electronically edited, sometimes ironically, someother with reckless time shiftings.

For the Interpreters this score is a sort of submerged journey, they are suggested to continuously "Invent" their own presence in the music: They Would Com timeless and get lost in an unknowned street. Mp