Tuesday, November 10, 2009

Looking For Katydid Candy To Buy

The five deaths of Pythagoras

THE FIVE DEATHS of Pythagoras, music by Maurizio Pisano for
The lightness of irrational numbers , Richard Mini
Teatro Carcano , Milan, Corso di Porta Romana 63
16 November 2009 h. 20:30
Nov. 16 h. 11.00 and November 17 h. 11:00 and 15:00 replicas school day

Theatre Project and Mathematics by Maria Eugenia D'Aquino
with Maria Eugenia D'Aquino, Riccardo Magherini , Annig Raimondi, Todisco Vladimir Great
director Valentina Colorni
advice mathematics Prof. Franco Pastrone , Department of Mathematics University of Torino,
collaboration of Daniel Gouthier , math popularizer
Production PACTA . DeiTEATRI - Science on Stage


A mysterious death, a supposed shipwreck. The show takes its cue from a probable conspiracy to eliminate the Pythagoreans Ippaso responsible for the disclosure of the secret of irrational numbers, strange conceptual subjects. The show is insinuated in these spaces can not be measured, by surfacing traces of mathematics and history and guiding the exploration the world of music, art in which the Pythagoreans played a key role.
info and reservations +39 02 5466367 - 02 55187234 info@teatroeviaggi.com

Sunday, November 1, 2009

Tequila Cause Headaches

Beatrice Cenci - ZONE PACTA.deiTeatri2009

Resumption of Beatrice Cenci, by Alberto Moravia. Theatre OSCAR , Milan Via Lattanzio 58
A true story of the news now become legend. Francesco Cenci, Beatrice's father, is blood, overbearing, cruel. Whether you live in Rome or at the Castle of Petrella, where he locked up his daughter and his second wife, the boredom is to move all his days. Beatrice, with the complicity of her lover Olimpio, kill Francis, but their love will not last. Olympian runs away and, at the Castle of Petrella, justice arrives to investigate ...

Project Moravia - The old and the new company will tell
director Annig Raimondi
with Massimo Loreto , Antonio Rosti , Todisco Vladimir Great , Annig Raimondi, Maria Eugenia D'Aquino

original music by Maurizio Pisano
scenes Ernesto Jannini
space lights Fulvio Michelazzi
assistant director Serena Brown
PACTA production. the Theatre - CETECO - Egumteatro

hours show: Tuesday - Thursday - Friday - Saturday hours 21:00 - Wednesday hours 19:30 - Sunday hours 17:00
renotazioni and tickets: tel. 02-36503740 (Monday to Saturday 16:00 - 19:00)
To reach THEATRE OSCAR:
MM3 - Subway Lodi TIBB / Tram 16 - stop Tito Livio - Lattanzio / Filobus: 92 - Fermata Umbria - Comielico

Monday, October 5, 2009

Colors Accent Chocolate

Electric "Var är du?" Guitar

First World Performance of Where are you? on electric guitar in the version by YAMADA Gakuen . Tokyo 17 october 2009

Where are you? was Originally Written for Sax and audio video track and premiered in Torino 2008 by Jörgen Pettersson .
The piece is opened to be transcribed (as always I would prefer "translated") on any other instrument or ensemble.
YamadaGaku translated the piece for Electric Guitar, in a great work of analysis and deep comprehension of the music. Since the first sample I had of his work, my agreement was almost full and we started working together on musical things and intentions.



Here a brief presentation of the piece:
Var är du? AudioVideo Tenor Sax and Stroke, or other instrument / ensemble.
Where are you, imagine the same steps and the steps you follow. We play everything, including the following steps and knock on wood heat and the steps still follow the chords, here they are closer, but no, not them. And so we were waiting around, countless other places, and our much is chasing. Loop. Where you are, imagine the steps and the steps we follow them, looking around here, no doubt, but, exactly, where are you? -History of a chase. But since it would be unkind to tell the end, it ends here, referring to listening to good vision and a solution to the little mystery. mp
Where are you, we can imagine the steps and the steps behind you. We play everything, even the steps to stroken That FOLLOWS while wood burns Each string. And the steps, still, are following. Here They Are, no. Not Them, But They write down on the earth, the flows walking, step by step leaving lhis trace and slightly changing. Alighiero Boetti: “to write with the left hand is like drawing”. Here walking is like handwriting. So, we all where awaiting. Infinite steps melting and following. Loop. Where are you, we can imagine steps and the steps behind us. Looking for you here around, undoubtedly, but, to be precise, where? Just the tale of a chase, without telling the tiny mistery of the end, that eachone can invent for himself looking and listening to the piece. mp